Accidental Death of an Anarchist is a play by Italian playwright Dario Fo that premiered in 1970. It has been performed across the world in more than forty countries. The play is based on the 1969 Piazza Fontana bombing and on the death of Giuseppe Pinelli while being interrogated by the police.

From the psychedelic typography used in 'Make Love Not War' posters of the 60s, to the solitary raised fist, take a long, hard look at some of the most memorable and striking protest artwork from across the world and throughout history. With an emphasis on design, analyse each artwork to understand how colour, symbolism, technique, typography and much more play an important role in communication, and learn about some of the most influential historical movements.

Banksy is an England-based graffiti artist, political activist and film director of unverified identity. His satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world. Banksy's work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Observers have noted that his style is similar to Blek le Rat, who began to work with stencils in 1981 in Paris. Banksy says that he was inspired by "3D", a graffiti artist who later became a founding member of Massive Attack, an English musical group. Banksy displays his art on publicly visible surfaces such as walls and self-built physical prop pieces.

Bed Zine Issue Three is a curated selection of art and writing by disabled creatives from around the world. It explores the complex relationships that the contributors have with their beds through poetry, nonfiction writing, ceramic and textile works, illustration, painting, and more.

Created & Edited by Tash King
Graphic Design by Mia Navarro
Cover Art by Timothy Bair

Issue 3 features the work of Kwame Daniels, Annie Lee, sister starling 恖霝, Kate Haywood, Lauren Turner, Bonnie Hancell, Brian Spies, Alex Hernandez, D Dust, Ivan Helen Schremf, Df Parizeau, Michaela Coffield, Charlie Fitz, Zo Jonker, Phiroozeh Petigara, Shelby Seier, Ania Gitelmakher, Kean O’Brien, Angelica Aranda, Gabby DaSilva, Robin Kinzer, Poppy Nash, Leah Broadwell, Sheena Maria Piedade, Aiya Klempt and Gemma Gore.

After a childhood in foster care, Bitter is thrilled to have been chosen to attend Eucalyptus, a special school where she can focus on her painting surrounded by other creative teens. But outside this haven, the streets are filled with protests against the deep injustices that grip the town of Lucille. Bitter’s instinct is to stay safe within the walls of Eucalyptus – but her friends aren’t willing to settle for a world that the adults say is ‘just the way things are’. Pulled between old friendships, her creative passion, and a new a romance, Bitter isn’t sure where she belongs – in the art studio or in the streets. And if she does find a way to help the revolution while being true to who she is, she must also ask: at what cost?

Admired by Charles and Ray Eames, Buckminster Fuller and Saul Bass, Sister Corita Kent (1918–1986) was one of the most innovative and unusual pop artists of the 1960s, battling the political and religious establishments, revolutionizing graphic design and encouraging the creativity of thousands of people – all while living and practising as a Catholic nun in California. Mixing advertising slogans and poetry in her prints and commandeering nuns and students to help make ambitious installations, processions and banners, Sister Corita's work is now recognized as some of the most striking – and joyful – American art of the 60s. But, at the end of the decade and at the height of her fame and prodigious work rate, she left the convent where she had spent her adult life. Julie Ault's book is the first to examine Corita's life and career, containing more than 90 illustrations, many reproduced for the first time, capturing the artist's use of vibrant and day-glo colours.

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Create Dangerously is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

In recent years, disability activism has come into its own as a vital and necessary means to acknowledge the power and resilience of the disabled community, and to call out ableist culture wherever it appears.

Crip Kinship explores the art activism of Sins Invalid, a San Francisco Bay Area - based performance project, and its radical imaginings of what disabled, queer, trans, and gender-nonconforming bodyminds of colour can do: how they can rewrite oppression, and how they can gift us with transformational lessons for our collective survival. Grounded in the disability justice framework, Crip Kinship investigates the revolutionary survival teachings that disabled, queer of colour community offers to all our bodyminds.

From their focus on crip beauty and sexuality to manifesting digital kinship networks and crip-centric liberated zones, Sins Invalid empowers and moves us toward generating our collective liberation from our bodyminds outward.

Desire Caught by the Tail is a farcical play written by the painter Pablo Picasso.