Through a combination of oral history and documented sources, the author studies examples of popular protests in nineteenth century Wales.

Pipe Dreams is a zine publication documenting shisha culture in North West London created and co-produced by Zain Dada.  It tells the stories of shisha cafe owners & other Arab businesses- on their experiences of turning an industrialised area of London into a cultural hub for Arab diasporas across the UK. The zine also features an interview with Toronto-based curator, Mitra Fakhrashrafi who researched the impact of a by-law in Toronto which banned shisha in 2015.

This publication formed part of Shubbak Festival 2021 - Europe’s largest biennial festival of contemporary Arab culture. The production team consisted of British–Tunisian photographer Sana Badri, artist and filmmaker Nur Hannah Wan, writers Zain Dada and (and co-produced by) Nabil Al-Kinani, and graphic designer Walid Bouchouchi.

The book provides an insight into the issues related to the occupation of Palestine - the plans of the foreign powers, the role of the regimes in the Middle Eastm the origina and reality of the PLO, the viability of the Pleastinian state, and the solution from Islam.

Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women’s March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.

Founded in 1974, See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humour and bold graphics, they expressed the personal experiences of women as well as their role in wider struggles for change. Written by See Red members, detailing the group’s history, the book features all of their original screenprints, alongside posters commissioned for radical groups and campaigns. Confronting negative stereotypes, questioning the role of women in society, and promoting women’s self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation — and have continued relevance for today.

From the psychedelic typography used in 'Make Love Not War' posters of the 60s, to the solitary raised fist, take a long, hard look at some of the most memorable and striking protest artwork from across the world and throughout history. With an emphasis on design, analyse each artwork to understand how colour, symbolism, technique, typography and much more play an important role in communication, and learn about some of the most influential historical movements.

Tips and activities are also included to get you started on making some of your own protest art.

Guided by activist, lecturer and speaker De Nichol's powerful own narrative and stunningly illustrated by a collaboration of young artists from around the world, including Diana Dagadita, Olivia Twist, Molly Mendoza, Raul Oprea and Diego Becas, Art of Protest is as inspiring as it is empowering.

Nana Darkoa Sekyiamah spent decades talking openly and intimately to African women around the world about sex. In this book, she brings together their extraordinary stories, whilst also chronicling her own journey towards sexual freedom.

From finding queer community in Egypt to living a polyamorous life in Senegal to understanding the intersectionality of religion and pleasure in Cameroon, their necessary narratives are individual and illuminating. This stunning collection provides crucial insight into our quest for sexual power and offers all women inspirational examples to live a truly liberated life.

The Whole Picture: The colonial story of the art in our museums and why we need to talk about it How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon.

In early 2019, the craft community experienced a reckoning when crafters of color began sharing personal stories about exclusion and racial injustice in their field, pointing out the inequity and lack of visible diversity within the crafting world. Author Jen Hewett, who is one of a few prominent women of colour in the fibre crafts community, now brings together this book as a direct response to the need to highlight the diverse voices of artists working in fibre arts and crafts. Weaving together interviews, first-person essays, and artist profiles, This Long Thread explores the work and contributions of people of color across the fiber arts and crafts community, representing a wide spectrum of race, age, region, cultural identity, education, and economic class. These conversations explore techniques and materials, belonging, identity, pride of place, cultural misappropriation, privilege, the value (or undervaluing) of craft, community support structures, recognition or exclusion, intergenerational dialogue, and much more.