From the psychedelic typography used in 'Make Love Not War' posters of the 60s, to the solitary raised fist, take a long, hard look at some of the most memorable and striking protest artwork from across the world and throughout history. With an emphasis on design, analyse each artwork to understand how colour, symbolism, technique, typography and much more play an important role in communication, and learn about some of the most influential historical movements.
Tips and activities are also included to get you started on making some of your own protest art.
Guided by activist, lecturer and speaker De Nichol's powerful own narrative and stunningly illustrated by a collaboration of young artists from around the world, including Diana Dagadita, Olivia Twist, Molly Mendoza, Raul Oprea and Diego Becas, Art of Protest is as inspiring as it is empowering.
Nana Darkoa Sekyiamah spent decades talking openly and intimately to African women around the world about sex. In this book, she brings together their extraordinary stories, whilst also chronicling her own journey towards sexual freedom.
From finding queer community in Egypt to living a polyamorous life in Senegal to understanding the intersectionality of religion and pleasure in Cameroon, their necessary narratives are individual and illuminating. This stunning collection provides crucial insight into our quest for sexual power and offers all women inspirational examples to live a truly liberated life.
The Whole Picture: The colonial story of the art in our museums and why we need to talk about it How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon.
In early 2019, the craft community experienced a reckoning when crafters of color began sharing personal stories about exclusion and racial injustice in their field, pointing out the inequity and lack of visible diversity within the crafting world. Author Jen Hewett, who is one of a few prominent women of colour in the fibre crafts community, now brings together this book as a direct response to the need to highlight the diverse voices of artists working in fibre arts and crafts. Weaving together interviews, first-person essays, and artist profiles, This Long Thread explores the work and contributions of people of color across the fiber arts and crafts community, representing a wide spectrum of race, age, region, cultural identity, education, and economic class. These conversations explore techniques and materials, belonging, identity, pride of place, cultural misappropriation, privilege, the value (or undervaluing) of craft, community support structures, recognition or exclusion, intergenerational dialogue, and much more.
In the history of western art, decorative and applied arts – including textiles and ceramics – have been separated from the ‘high arts’ of painting and sculpture and deemed to be more suitable for women. Artists began to reclaim and redefine these materials and methods, energizing them with expressions of identity and imagination. Women’s Work tells the story of this radical change, highlighting some of the modern and contemporary artists who dared to defy this hierarchy and who, through, experimentation and invention, transformed their medium. The work of these women has helped underscore the ongoing value of these art forms within the history of art, championing ‘women’s work’ as powerful mediums worthy of celebration. With biographical entries on each artist featured, as well as beautiful images of their artworks, Women's Work raises up the work of these visionary and groundbreaking artists, telling their stories and examining their artistic legacies.