Conserve and Control is written from the margins. Characters who are non-binary, working class, disabled and trans take central place as we are transported to a queer and green paradise that, like all utopias, is not to be trusted.
As a working-class activist and (former) s3x worker, Otter Lieffe brings nuance to the ethics of work, kink, sex and activism. In this, her second novel, she explores what it might mean to really create political change and asks who gets left behind in the process. She invites us to step up and take our place in the struggle and bring our fabulous complexity with us to the front-lines.

Cuddle up with a classic! In twelve needle-felted scenes and twelve child-friendly words, each book in this ingenious series captures the essence of a literary masterpiece. Simple words and a beloved story make this ebook the perfect vehicle for early learning with an erudite twist. Budding bookworms will delight in this clever retelling of the classics made just for them!

In Charles Dickens's Oliver Twist, an orphan boy on the streets of London falls in with a bad crowd of pickpockets and thieves. Will Oliver ever find his family? It's a first words primer for your literary little one!

The Cozy Classics series is the brainchild of two brothers, both dads, who were thinking of ways to teach words to their very young children. They hit upon the classics as the basis for their infant primers, and the rest, as they say, is history. From Moby Dick to Pride and Prejudice, here are The Great Books of Western Literature for toddlers and their parents in ebook form—a little bit serious, a little bit ironic, entirely funny and clever, and always a welcome read.

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Create Dangerously is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

A mass movement has swept across the globe. It has sparked new debates and questions about imperialism in the 21st century. Anti-Imperialism brings together some of the leading activists and writers in the anti-war movement to look at the issues, main players and regions most affected by imperialism past and present. This handbook is essential for activists everywhere. Contributors include Tariq Ali, George Monbiot, Tony Benn, Louise Christian and many others.

In recent years, disability activism has come into its own as a vital and necessary means to acknowledge the power and resilience of the disabled community, and to call out ableist culture wherever it appears.

Crip Kinship explores the art activism of Sins Invalid, a San Francisco Bay Area - based performance project, and its radical imaginings of what disabled, queer, trans, and gender-nonconforming bodyminds of colour can do: how they can rewrite oppression, and how they can gift us with transformational lessons for our collective survival. Grounded in the disability justice framework, Crip Kinship investigates the revolutionary survival teachings that disabled, queer of colour community offers to all our bodyminds.

From their focus on crip beauty and sexuality to manifesting digital kinship networks and crip-centric liberated zones, Sins Invalid empowers and moves us toward generating our collective liberation from our bodyminds outward.

New updated edition includes the impact of COVID on Britain's 14 million disabled people In austerity Britain, disabled people have been recast as worthless scroungers. From social care to the benefits system, politicians and the media alike have made the case that Britain’s 12 million disabled people are nothing but a drain on the public purse. In Crippled, journalist and campaigner Frances Ryan exposes the disturbing reality, telling the stories of those most affected by this devastating regime. It is at once both a damning indictment of a safety net so compromised it strangles many of those it catches and a passionate demand for an end to austerity, which hits hardest those most in need.

Crossing the River is a story about three black people during different time periods and in different continents as they struggle with the separation from their native Africa. The novel follows Nash, who travels from America to Africa to educate natives about Christ; Martha, an old woman who attempts to travel from Virginia to California to escape the injustices of being a slave; and Travis, a member of the U.S. military who goes to England during World War II.

Perceived as the visual representation of Islam, hijab-wearing Muslim women are often harangued at work, at home and in public life yet are rarely afforded a platform on their own terms. Whether it s awkward questions, radical commentators sensationalising our existence, non-Muslims and non-hijabis making assumptions, men speaking on our behalf, or stereotypical norms being perpetuated by the same old faces, hijabis are tired. Cut from the Same Cloth? seeks to tip the balance back in our favour. Here, twenty-one middle- and working-class women of all ages and races look beyond the tired tropes, exploring the breadth of our experience and spirituality. It s time we, as a society, stop with the hijab-splaining and make space for the women who know. Essays by Aisha Rimi, Asha Mohamed, Fatha Hassan, Fatima Ahdash, Hodan Yusuf, Khadijah El Shayyal, Khadijah Rotimi, Mariam Ansar, Negla Abdalla, Raisa Hassan, Rumana Lasker Dawood, Ruqaiya Haris, Sabeena Akhtar, Shaista Aziz, Sofia Rehman, Sophie Williams, Suhaiymah Manzoor Khan, Suma Din, Sumaya Kassim, Yvonne Ridley, Zara Adams.

A non-white family in a small town in South Africa in the 1950s is affected by that country's segregation laws when the area in which they have their home and their small business is declared `white.' The two daughters of the household, Meena and Yasmin, are at the same time treading hackneyed paths through the tangles of pubescence and adolescence respectively, while their parents--their father classified `Indian' and their mother `Coloured' under the complexities of Pretoria's system of racial classifications--attempt to cope with this disruption to their otherwise comfortable lives.