Crossing the River is a story about three black people during different time periods and in different continents as they struggle with the separation from their native Africa. The novel follows Nash, who travels from America to Africa to educate natives about Christ; Martha, an old woman who attempts to travel from Virginia to California to escape the injustices of being a slave; and Travis, a member of the U.S. military who goes to England during World War II.

Perceived as the visual representation of Islam, hijab-wearing Muslim women are often harangued at work, at home and in public life yet are rarely afforded a platform on their own terms. Whether it s awkward questions, radical commentators sensationalising our existence, non-Muslims and non-hijabis making assumptions, men speaking on our behalf, or stereotypical norms being perpetuated by the same old faces, hijabis are tired. Cut from the Same Cloth? seeks to tip the balance back in our favour. Here, twenty-one middle- and working-class women of all ages and races look beyond the tired tropes, exploring the breadth of our experience and spirituality. It s time we, as a society, stop with the hijab-splaining and make space for the women who know. Essays by Aisha Rimi, Asha Mohamed, Fatha Hassan, Fatima Ahdash, Hodan Yusuf, Khadijah El Shayyal, Khadijah Rotimi, Mariam Ansar, Negla Abdalla, Raisa Hassan, Rumana Lasker Dawood, Ruqaiya Haris, Sabeena Akhtar, Shaista Aziz, Sofia Rehman, Sophie Williams, Suhaiymah Manzoor Khan, Suma Din, Sumaya Kassim, Yvonne Ridley, Zara Adams.

A non-white family in a small town in South Africa in the 1950s is affected by that country's segregation laws when the area in which they have their home and their small business is declared `white.' The two daughters of the household, Meena and Yasmin, are at the same time treading hackneyed paths through the tangles of pubescence and adolescence respectively, while their parents--their father classified `Indian' and their mother `Coloured' under the complexities of Pretoria's system of racial classifications--attempt to cope with this disruption to their otherwise comfortable lives.

Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systems—to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it.

Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods—that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors.

Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.

A vibrant, hard-hitting and informative collection of essays that sets out to defend Britain's multicultural way of life. The contributors challenge David Cameron and others' assertions that multiculturalism is to blame for dividing society. The best thinkers and writers in politics, academia and activism tackle questions such as 'Has Multiculturalism Failed?' 'The Threat of the English Defence League' and 'Are the White Working Class Excluded?'. This accessible book is a must have for all those who want to celebrate, defend and extend Britain's diverse society.

Desire Caught by the Tail is a farcical play written by the painter Pablo Picasso.

Isolation and community. Restrictions and freedom.

The near future is a militarised state, a fractured continent, and a world in which fascism is resurging following pandemics and climate devastation.

Against this grim backdrop, the characters of Dignity form a deeply diverse resistance movement that brings connection, strength and hope to those who need it most.

This novel can be read on its own or as part of a trilogy, in any order:

Margins and Murmurations

Conserve and Control

Dignity

What is the function of art in the era of digital globalisation? In Duty Free Art, filmmaker and writer Hito Steyerl wonders how we can appreciate, or even make art, in the present age. What can we do when arms manufacturers sponsor museums, and some of the world's most valuable artworks are used as a fictional currency in a global futures market that has nothing to do with the work itself? Can we distinguish between creativity and the digital white noise that bombards our everyday lives? Exploring artefacts as diverse as video games, Wikileaks files, the proliferation of spam, and political actions, she exposes the paradoxes within globalization, political economies, visual culture, and the status of art production

Inspired by Octavia Butler's explorations of our human relationship to change, Emergent Strategy is radical self-help, society-help, and planet-help designed to shape the futures we want to live. Change is constant. The world is in a continual state of flux. It is a stream of ever-mutating, emergent patterns. Rather than steel ourselves against such change, this book invites us to feel, map, assess, and learn from the swirling patterns around us in order to better understand and influence them as they happen. This is a resolutely materialist "spirituality" based equally on science and science fiction, a visionary incantation to transform that which ultimately transforms us.