#1 NEW YORK TIMES BESTSELLER - PULITZER PRIZE WINNER - NATIONAL BOOK AWARD WINNER - "An American masterpiece" (NPR) that chronicles a young slave's adventures as she makes a desperate bid for freedom in the antebellum South.

 

One of The New York Times's 10 Best Books of the 21st Century - A Kirkus Reviews Best Fiction Book of the Century - A Los Angeles Times Best Fiction Book of the Last 30 Years

 

The basis for the acclaimed original Prime Video series directed by Barry Jenkins.

 

Cora is a slave on a cotton plantation in Georgia. An outcast even among her fellow Africans, she is on the cusp of womanhood--where greater pain awaits. And so when Caesar, a slave who has recently arrived from Virginia, urges her to join him on the Underground Railroad, she seizes the opportunity and escapes with him.

 

In Colson Whitehead's ingenious conception, the Underground Railroad is no mere metaphor: engineers and conductors operate a secret network of actual tracks and tunnels beneath the Southern soil. Cora embarks on a harrowing flight from one state to the next, encountering, like Gulliver, strange yet familiar iterations of her own world at each stop.

 

As Whitehead brilliantly re-creates the terrors of the antebellum era, he weaves in the saga of our nation, from the brutal abduction of Africans to the unfulfilled promises of the present day. The Underground Railroad is both the gripping tale of one woman's will to escape the horrors of bondage--and a powerful meditation on the history we all share.

Blending memoir with critique, an award-winning poet and essayist's devastating exploration of sickness and health, cancer and the cancer industry, in the modern world

A week after her 41st birthday, Anne Boyer was diagnosed with highly aggressive triple-negative breast cancer. For a single mother living payslip to payslip, the condition was both a crisis and an initiation into new ideas about mortality and the gendered politics of illness.

In The Undying - at once her harrowing memoir of survival, and a 21st-century Illness as Metaphor - Boyer draws on sources from ancient Roman dream diarists to cancer vloggers to explore the experience of illness. She investigates the quackeries, casualties and ecological costs of cancer under capitalism, and dives into the long line of women writing about their own illnesses and deaths, among them Audre Lorde, Kathy Acker and Susan Sontag.

Genre-bending, devastating and profoundly humane, The Undying is an unmissably insightful meditation on cancer, the cancer industry and the sicknesses and glories of contemporary life.

The Whole Picture: The colonial story of the art in our museums and why we need to talk about it How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon.

Each year the wind brings the news to old Halil's keen senses that the cotton is ripe for picking in the plain, and at his word the entire population of his remote village in the Taurus Mountains set out on the arduous trek.

But this year old Halil finds himself too old to go on foot; so does Long Ali's aging mother, Meryemdje, and both clamour for a place on the back of Long Ali's broken-down nag, scarcely capable of bearing either of the two old people. Halil's determination to stay on and Meryemdje's to get him off lead to a war of words and cunning which lights with delicious comedy the sombre drama of the march. But when the decrepit animal finally dies, and the group falls behind the rest of the villagers, it is the unfortunate Ali who has to show piety towards his mother and compassion to old Halil, while pressing on with dogged resolution to reach the cotton fields before they are picked bare.

The power of The Wind from the Plain, the first volume of The Wind from the Plain trilogy, lies in its simplicity, which in turn lies in the handful of unforgettable characters whose story it tells - the timeless one of survival.

Palestine. For most of us, the word brings to mind a series of confused images and disjointed associations-massacres, refugee camps, UN resolutions, settlements, terrorist attacks, war, occupation, checkered kouffiyehs and suicide bombers, a seemingly endless cycle of death and destruction. A powerful human story, following the life of a young girl from her days in the village of al-Tantoura in Palestine up to the dawn of the new century. We participate in events as they unfold, seeing them through the uneducated but sharply intelligent mind of Ruqayya, as she tries to make sense of all that has happened to her and her family. With her, we live her love of her land and of her people; we feel the repeated pain of loss, of diaspora and of cross-generational misunderstanding; and above all, we come to know her indomitable human spirit. As we read we discover that we have become part of Ruqayya's family, and her voice will remain with us long after we have closed the book.

In The Working Class: Poverty, education and alternative voices, Ian Gilbert unites educators from across the UK and further afield to call on all those working in schools to adopt a more enlightened and empathetic approach to supporting children in challenging circumstances. One of the most intractable problems in modern education is how to close the widening gap in attainment between the haves and the have-nots. Unfortunately, successive governments both in the UK and abroad have gone about solving it the wrong way. Independent Thinking founder Ian Gilbert’s increasing frustration with educational policies that favour ‘no excuses’ and ‘compliance’, and that ignore the broader issues of poverty and inequality, is shared by many others across the sphere of education – and this widespread disaffection has led to the assembly of a diverse cast of teachers, school leaders, academics and poets who unite in this book to challenge the status quo. Their thought-provoking commentary, ideas and impassioned anecdotal insights are presented in the form of essays, think pieces and poems that draw together a wealth of research on the issue and probe and discredit the current view on what is best for children from poorer socio-economic backgrounds. Exploring themes such as inclusion, aspiration, pedagogy and opportunity, the contributions collectively lift the veil of feigned ‘equality of opportunity for all’ to reveal the bigger picture of poverty and to articulate the hidden truth that there is always another way.

Winner of the 2021 Muslim Bookstagram Awards - Best Early Picture Book

Where can you pray when you can’t get to the masjid?

Join Rayan and Amelia as they explore all the places they can pray and just a few places where they can’t. 

With vibrant illustrations and fun rhyming verses, this book is a reminder for all of us that we can find somewhere to pray wherever we are.   

Frantz Fanon's The Wretched of the Earth is a masterful and timeless interrogation of race, colonialism, psychological trauma, and revolutionary struggle, and a continuing influence on movements from Black Lives Matter to decolonization. A landmark text for revolutionaries and activists, The Wretched of the Earth is an eternal touchstone for civil rights, anti-colonialism, psychiatric studies, and Black consciousness movements around the world.

'Sabrina Mahfouz is a tidal wave of truth swallowing the banks of empire with a torrent of information which will not be damned' Lemn Sissay

'A bold, brave look at the ways imperialism affects us all, from the universally political to the insightfully intimate' Riz Ahmed

'Impossible to put down while you're reading, and impossible to forget about when you've finished' Glamour

Are you not made of Suez silt?
How do we know you won't
shore our boats
by making yourself bigger
than we made you?

Sabrina Mahfouz once sat in a Whitehall interview room and was interrogated about everything from her political leanings to her private life. It was ostensibly a job interview, but implicit in their demands was the unspoken question: as a woman of Middle Eastern heritage, could she really be trusted?

Years later, Sabrina found herself confronting the meaning behind this interrogation, and how it was specifically informed by the British Empire's historical dominance in the Middle East. THESE BODIES OF WATER investigates this history through the Middle Eastern coastlines and waterways that were so vital to the Empire's hold. Interwoven with her own personal experiences, Sabrina combines history, politics, myth and poetry in a devastating examination of this unacknowledged part of Britain's colonial past.

Part history, part polemic and part intimate memoir, THESE BODIES OF WATER is a tapestry of writing that tells the story of Britain's relationship with the Middle East in the most revealing terms.

It’s 1967 in Nablus, Palestine. Oraib loves the olive trees that grow outside the refugee camp where she lives. Olives have always tied her family to the land, as Oraib learns from the stories Mama tells of a home before war. But war has come to their door once more… The story of a Palestinian family’s ties to the land, and how one young girl finds a way to care for her home, even as she says goodbye.