ISIS’s genocidal attack on the Yezidi population in northern Iraq in 2014 brought the world’s attention to the small faith that numbers less than one million worldwide. That summer ISIS massacred Yezidi men and enslaved women and children. More than one hundred thousand Yezidis were besieged on Sinjar Mountain. The US began airstrikes to roll back ISIS, citing a duty to save the Yezidis, but the genocide is still ongoing. The headlines have moved on but thousands of Yezidi women and children remain in captivity, and many more are still displaced. Sinjar is now free from ISIS but the Yezidi homeland is at the centre of growing tensions amongst the city’s liberators, making returning home for the Yezidis almost impossible. The mass abduction of Yezidi women and children is here conveyed with extraordinary intensity in the first-hand reporting of a young journalist who has been based in Iraqi Kurdistan for the past four years, covering the war with ISIS and its impact on the people of the country. Otten tells the story of the ISIS attacks, the mass enslavements of Yezidi women and the fallout from the disaster. She challenges common perceptions of Yezidi female victimhood by focusing on stories of resistance passed down by generations. Yezidi women describe how, in the recent conflict, they followed the tradition of their ancestors who, a century ago during persecutions at the fall of the Ottoman empire, put ash on their faces to make themselves unattractive and try to avoid being raped. Today, over 3,000 Yezidi women and girls remain in the Caliphate where they are bought and sold, and passed between fighters as chattel. But many other have escaped or been released. Otten bases her book on interviews with these survivors, as well as those who smuggled them to safety, painstakingly piecing together their accounts of enslavement. Their deeply moving personal narratives bring alive a human tragedy.
This work is about women's education; it is not about education for women. "Women's education" is education which is possessed or owned by women, is provided by women for women, is designed for and about women, and focuses on the needs of women.
In the history of western art, decorative and applied arts – including textiles and ceramics – have been separated from the ‘high arts’ of painting and sculpture and deemed to be more suitable for women. Artists began to reclaim and redefine these materials and methods, energizing them with expressions of identity and imagination. Women’s Work tells the story of this radical change, highlighting some of the modern and contemporary artists who dared to defy this hierarchy and who, through, experimentation and invention, transformed their medium. The work of these women has helped underscore the ongoing value of these art forms within the history of art, championing ‘women’s work’ as powerful mediums worthy of celebration. With biographical entries on each artist featured, as well as beautiful images of their artworks, Women's Work raises up the work of these visionary and groundbreaking artists, telling their stories and examining their artistic legacies.
The Covid, climate and cost of living crises all hang heavy in the air. It's more obvious than ever that we need radical social and political change. But in the vacuum left by defeated labour movements, where should we begin? For longtime workplace activist Ian Allinson, the answer is clear: organising at work is essential to rebuild working-class power. The premise is simple: organising builds confidence, capacity and collective power - and with power we can win change. Workers Can Win is an essential, practical guide for rank-and-file workers and union activists. Drawing on more than 20 years of organising experience, Allinson combines practical techniques with an analysis of the theory and politics of organising and unions. The book offers insight into tried and tested methods for effective organising. It deals with tactics and strategies, and addresses some of the roots of conflict, common problems with unions and the resistance of management to worker organising. As a 101 guide to workplace organising with politically radical horizons, Workers Can Win is destined to become an essential tool for workplace struggles in the years to come.
In Alice Walker’s second story collection, women stand their ground in the midst of crisis
This collection builds on Alice Walker’s earlier work, the much-praised In Love & Trouble. But unlike her first collection of stories, the women in these tenderly wrought tales face their problems head on, proving powerful and self-possessed even when degraded by others—sometimes by those closest to them. But even as the female protagonists face exploitation, social asymmetries, and casual cruelties, Walker leavens her stories with ample wit and, as always, an eye for the redemptive power of love.
A collection that reveals a master of fiction approaching the fullness of her talent, these are the stories Walker produced while penning The Color Purple.
This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.
English teachers are currently concerned by the question of less traditional reading materials. This book deals with the culture of young people, and how that culture determines their reading of popular literature, and of popular video, as well as approved texts.
Audre Lorde (1934-92) described herself as 'Black, lesbian, mother, warrior, poet'. Her extraordinary belief in the power of language of speaking to articulate selfhood, confront injustice and bring about change in the world remains as transformative today as it was then, and no less urgent. Your Silence Will Not Protect You brings Lorde's poetry and prose together for the first time.
This volume examines the youth service and the values, attitudes, culture and needs of working class youth in Northern Ireland. It explores why some young people participate in youth clubs and others do not; how patterns of participation differ by gender, class and religion; how young people use their leisure time if they are not involved with youth clubs (and whether youth clubs could meet their needs). It concentrates on young people's views, exploring the tensions and contradictions of working class youth culture.
Zami is a fast-moving chronicle. From the author's vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde's work is cyclical. It especially relates the linkage of women who have shaped her. Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page.