'The first ever Anthology of Contemporary Poetry from the South Wales Valleys beautifully illustrated with black and white photographs .Includes work by all the leading Welsh writers including: Duncan Bush, Peter Finch, Mike Jenkins, Oliver Reynolds, Labi Siffre,Chris Torrance, Herbert Williams. Foreword: Prof. Dai Smith'

The memoir of one man’s coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed.

Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The fight for prison abolition is a struggle for collective liberation: a transformative vision of a safer world, in which communities live free from exploitation on a thriving planet. Drawing connections across social justice movements with a shared abolitionist ethic, this revolutionary book illuminates how harmful ideas of criminality and punishment can manifest in many ways beyond the prison industrial complex. This work is a collaboration with friends, mentors and giants fighting for housing justice, food justice, climate justice, migrant justice, justice for survivors of violence, and more. With this insightful and generous book, now in its second edition, Cradle Community invites us to explore what it will take to dismantle structures of oppression, and to imagine the future we can rebuild together—brick by brick.

In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, “Against Innocence,” as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible.

Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society.

In this collection of essays, Lambda Literary Award-winning writer and longtime activist and performance artist Leah Lakshmi Piepzna-Samarasinha explores the politics and realities of disability justice, a movement that centers the lives and leadership of sick and disabled queer, trans, Black, and brown people, with knowledge and gifts for all.

Care Work is a mapping of access as radical love, a celebration of the work that sick and disabled queer/people of color are doing to find each other and to build power and community, and a tool kit for everyone who wants to build radically resilient, sustainable communities of liberation where no one is left behind. Powerful and passionate, Care Work is a crucial and necessary call to arms.

As a formidable critic of some of society's most cherished institutions, such as compulsory education and organised religion, Ivan Illich has attracted world attention. His commitment to a radical humanism against conventional institutions and esatablished ideas of social virtue make for compelling, and convincing, reading. This book brings together for the first time many of his lectures and articles bearing out Illich's invigorating challanges to the status quo.

Admired by Charles and Ray Eames, Buckminster Fuller and Saul Bass, Sister Corita Kent (1918–1986) was one of the most innovative and unusual pop artists of the 1960s, battling the political and religious establishments, revolutionizing graphic design and encouraging the creativity of thousands of people – all while living and practising as a Catholic nun in California. Mixing advertising slogans and poetry in her prints and commandeering nuns and students to help make ambitious installations, processions and banners, Sister Corita's work is now recognized as some of the most striking – and joyful – American art of the 60s. But, at the end of the decade and at the height of her fame and prodigious work rate, she left the convent where she had spent her adult life. Julie Ault's book is the first to examine Corita's life and career, containing more than 90 illustrations, many reproduced for the first time, capturing the artist's use of vibrant and day-glo colours.