A collection of fifty-five feminist poets with an introductory essay, biographical notes and author photos.
The Amazing Adventures of Master Storyteller John Row...
John Row has been a professional artist, writer, performer for sixty years.He's been everywhere, man, studying at art school with a teenage Brian Eno, in at the early days of Rock Against Racism, touring with punk and reggae bands, hip hop artists and, more recently, in his mid-seventies and during Covid lockdown, curating the worldstorytellingcafe.com website and directing the Marrakech International Storytelling Festival once the borders were reopened.
Dive into a collision of memories, anecdotes and thoughts drawn from six decades of being at the cutting edge of street poets and alternative lifestyles, giving voice to the unheard and celebrating life in all its diversions and diversities.
John Row is a force of nature. Take it from the one who knows...
Himself!
Potiki is a novel by New Zealand author Patricia Grace. First published in 1986, the book is a significant work in contemporary Māori literature, and explores themes of cultural identity, land rights, and the impacts of urban development on indigenous communities. It was critically and commercially successful, and received the New Zealand Book Award for Fiction in 1987. It was published during the Māori renaissance, a period of time in which Māori culture and language was experiencing a revitalisation, and academics have described it as being part of that movement. Due to its themes of Māori resistance to colonialisation, the novel was viewed by some critics as political, although Grace has said that her intention was to write about people living ordinary lives. It was also unusual for its time in not including an English glossary of te reo Māori (Māori language) words, on the basis that Grace did not want Māori to be "treated as a foreign language in its own country".
Is who we are really only skin deep? In this searing, remonstrative book, Toni Morrison unravels race through the stories of those debased and dehumanised because of it. A young black girl longing for the blue eyes of white baby dolls spirals into inferiority and confusion. A friendship falls apart over a disputed memory. An ex-slave is haunted by a lonely, rebukeful ghost, bent on bringing their past home. Strange and unexpected, yet always stirring, Morrison’s writing on race sinks us deep into the heart and mind of our troubled humanity.
In memoir, vignettes, poetry and essays, Suhaiymah Manzoor-Khan records her observations from the stands at the dizzying circus of being seen and unseen. She surveys the criminalising stadium of civic life, the open-air arenas of family, friendship and grief, the performative pageantry of the public eye and the unclad secrets of the self in solitude, paying attention to what’s on show and what goes undetected. Perhaps the strangest, most exciting possibilities are opened when we surrender to another kind of sight. Submitting to the gaze of the Unseen and the All-Seeing, Manzoor-Khan invites us to close our eyes and discover what it would mean to look with our souls instead.
The Tao Te Ching has served as a personal road map for millions of people. It is said that its words reveal the underlying principles that govern the world in which we live. Holding to the laws of nature--drawing from the essence of what all things are--it offers both a moral compass and an internal balance. A fundamental book of the Taoist, the Tao Te Ching is regarded as a revelation in its own right. For those seeking a better understanding of themselves, it provides a wealth of wisdom and insights.
Few cities have undergone such a radical transformation over the last few decades as Birmingham. Culturally and architecturally, it has been in a state of perpetual flux and regeneration, with new communities moving in, then out, and iconic post-war landmarks making way for brighter-coloured, 21st century flourishes. Much like the city itself, the characters in the stories gathered here are often living through moments of profound change, closing in on a personal or societal turning point, that carries as much threat as it does promise. Set against key moments of history – from Malcolm X’s visit to Smethwick in 1965, to the Handsworth riots two decades later, from the demise of the city’s manufacturing in the 70s and 80s, to the on-going tensions between communities in recent years – these stories celebrate the cultural dynamism that makes this complex, often divided ‘second city’ far more than just the sum of its parts.
The classic, PULITZER PRIZE-winning novel that made Alice Walker a household name.
Set in the deep American South between the wars, THE COLOR PURPLE is the classic tale of Celie, a young black girl born into poverty and segregation. Raped repeatedly by the man she calls 'father', she has two children taken away from her, is separated from her beloved sister Nettie and is trapped into an ugly marriage. But then she meets the glamorous Shug Avery, singer and magic-maker - a woman who has taken charge of her own destiny. Gradually Celie discovers the power and joy of her own spirit, freeing her from her past and reuniting her with those she loves.
Janet Suzman's contemporary take on Chekhov's The Cherry Orchard, relocated to that part of South Africa known as the eastern Free State, looks at the lives of whites and blacks shifted irrevocably by the winds of political change. It is 1994 and democracy has replaced apartheid. But with new freedoms come new problems of identity and loyalties. Chekhov's enduring themes of change, time and family fidelity take on new resonances in Suzman's adaptation.
The Lieutenant of Inishmore is a black comedy by Martin McDonagh, in which the 'mad' leader of an Irish National Liberation Army splinter group discovers that his cat has been killed. It has been produced twice in the West End and on Broadway, where it received a Tony Award nomination for Best Play. In 2014, The Lieutenant of Inishmore was ranked in The Daily Telegraph as one of the 15 greatest plays ever written.