Chloe Brown is a chronically ill computer geek with a goal, a plan and a list. After almost - but not quite - dying, she's come up with a list of directives to help her 'Get a Life': - Enjoy a drunken night out - Ride a motorbike - Go camping - Have meaningless but thoroughly enjoyable sex - Travel the world with nothing but hand luggage - And . . . do something bad But it's not easy being bad, even when you've written out step-by-step guidelines. What Chloe needs is a teacher, and she knows just the man for the job: Redford 'Red' Morgan. With tattoos and a motorbike, Red is the perfect helper in her mission to rebel, but as they spend more time together, Chloe realises there's much more to him than his tough exterior implies. Soon she's left wanting more from him than she ever expected . . . maybe there's more to life than her list ever imagined?

In 1979, James Baldwin wrote a letter to his literary agent describing his next project, "Remember This House." The book was to be a revolutionary, personal account of the lives and assassinations of three of his close friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin's death in 1987, he left behind only 30 completed pages of this manuscript. Filmmaker Raoul Peck envisions the book James Baldwin never finished.

In this first volume of her seven books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination, violence and extreme poverty, but also hope, joy, achievement and celebration.

The extraordinary biography of two of the world's greatest athletes - Jesse Owens and Joe Louis. Jesse Owens and Joe Louis have been hailed as American icons for the last sixty-five years, yet they were unfailingly human in everything they achieved and endured: as vulnerable as they were courageous; as troubled as they were brilliant; as restless in themselves as they are now rooted in history. IN BLACK AND WHITE will tell, for the first time, the story of the shared political legacy, extraordinary personal links and enduring friendship between 4-times Olympic gold medallist Jesse Owens, and Heavyweight World Boxing Champion Joe Louis, black athletes born in an America demeaned by racism and poverty. Award-winning sports journalist Donald McRae explores these two most revered of sportsmen whose finest achievements cannot be diminished by their later tragedies; their little-known stretches of debt, despair, drug-addiction and mental illness as they struggled to find a life beyond the track and the ring. It is a deeply personal story of two of the greatest athletes the world has ever known.

Magma 87, Islands, edited by Niall Campbell, Fiona Moore, and Safiya Kamaria Kinshasa Each new Magma theme raises the question: how will people write it, how will they startle and delight us? This time we were set on capturing something of the variety and scope that the theme of Islands offered. We hoped to invert majority notions of centre and periphery. We wanted the wild and windswept. At the same time we looked for poems that subverted, ignored or went beyond island clichés, far from the island gift shop cards with yearningly beautiful images.

Something gleeful and malevolent is moving in Lia’s body, learning her life from the inside out. A shape-shifter. A disaster tourist. It’s travelling down the banks of her canals. It’s spreading. When a sudden diagnosis upends Lia’s world, the boundaries between her past and her present begin to collapse. Deeply buried secrets stir awake. As the voice prowling in Lia takes hold of her story, and the landscape around becomes indistinguishable from the one within, Lia and her family are faced with some of the hardest questions of all: how can we move on from the events that have shaped us, when our bodies harbour everything? And what does it mean to die with grace, when you’re simply not ready to let go? Maps of Our Spectacular Bodies is a story of coming-of-age at the end of a life. Utterly heart-breaking yet darkly funny, Maddie Mortimer’s astonishing debut is a symphonic journey through one woman’s body: a wild and lyrical celebration of desire, forgiveness, and the darkness within us all.

Mornings in Jenin is a devastating novel of love and loss, war and oppression, and heartbreak and hope, spanning five countries and four generations of one of the most intractable conflicts of our lifetime. Palestine, 1948. Half a million Palestinians are forced from their homes. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin and exiled from the ancient village that is their lifeblood, the family struggles to rebuild their world. Their stories unfold through the eyes of the youngest sibling, Amal, the daughter born in the camp who will eventually find herself alone in the United States; the eldest son who loses everything in the struggle for freedom; the stolen son who grows up as an Israeli, becoming an enemy soldier to his own brother.

Travelog, social commentary, and journey to self-discovery, the story of a black Englishman's amazing trek through Dixie to connect with his racial identity In 1997 Gary Younge explored the American South by retracing the route of the original Freedom Riders of the 1960s. His road trip was a remarkable socio-cultural adventure for an outsider. He was British, journalistically curious, and black. As he traveled by Greyhound bus through the former Confederate states, he experienced an awakening. He felt culturally tied to this strange yet familiar place. Though a Briton by birth and the child of emigrants from Barbados, he felt culturally alien in his native land. In Dixie, however, he met African Americans whose racial distinctiveness was similar to his own. To local blacks he looked like a brother, while sounding intriguingly foreign. As he assessed their political rise in the South, he noted too how African American tradition seemed static and unchanged. It was a refreshing whiff of "home." 

Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organisers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia's Brood span genres - sci-fi, fantasy, horror, magical realism - but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas.

Translated into English for the first time after its publication in 1967, Ghassan Kanafani's On Zionist Literature makes an incisive analysis of the body of literary fiction written in support of the Zionist colonization of Palestine. Interweaving his literary criticism of works by George Eliot, Arthur Koestler, and many others with a historical materialist narrative, Kanafani identifies the political intent and ideology of Zionist literature, demonstrating how the myths used to justify the Zionist-imperialist domination of Palestine first emerged and were repeatedly propagated in popular literary works in order to generate support for Zionism and shape the Western public's understanding of it. The new preface by Anni Kanafani and an introduction by Steven Salaita place On Zionist Literature in its broader historical context and make a compelling case for its ongoing significance more than five decades since its original publication, illustrating the extent to which "Kanafani was a searing and incisive critic, at once generous in his understanding of emotion and form and unsparing in his assessment of politics and myth."