The chant of 'Azadi!' - Urdu for 'Freedom!' - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism. Even as Arundhati Roy began to ask what lay between these two calls for Freedom - a chasm or a bridge? - the streets fell silent. Not only in India, but all over the world. The Coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could. In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism. The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times. The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity to imagine another world.

First published in 2001, this book brings together all of Arundhati Roy's political writings so far. This revised paperback edition includes two new essays, written in early 2002: 'Democracy: Who's She When She's Not at Home', which examines the horrific communal violence in Gujarat, and 'War Talk: Summer Games with Nuclear Bombs', about the threat of nuclear war in the Subcontinent.

‘They all broke the rules. They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved, and how. And how much.’

This is the story of Rahel and Estha, twins growing up among the banana jam vats and peppercorns of their blind grandmother’s factory, and amid scenes of political turbulence in Kerala. Armed only with the innocence of youth, they fashion a childhood in the shade of the wreck that is their family: their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist, bottom-pincher) and their sworn enemy, Baby Kochamma (ex-nun, incumbent grand-aunt).

Arundhati Roy’s Booker Prize-winning novel was the literary sensation of the 1990s: a story anchored to anguish but fuelled by wit and magic.