Migrants is a book designed to provide an easy-to-understand explanation for all the doubts kids might have when they hear about the ‘migrant crisis’ on the news. Humanity was nomadic for 99% of its existence. Sedentary life, national borders and the creation of identity documents for increasingly stricter population control are comparatively recent phenomena, and paradoxical given that the world is becoming ever more globalized. The recent emergence of populist movements in the West that are focused on closing borders and rejecting others raises serious questions about our sense of fraternity, especially when we could be facing ever larger migration movements due to the climate crisis. This book concisely explains what migration is, its causes and consequences, and the humanistic and legal aspects regarding it in the simplest, most objective ways possible, so that children have all the information they need to understand the world around them. AGES: 8 plus

All the poems in this collection were written and illustrated by children aged 9 to 15 from Palestine, Argentina, India and Spain. They were submitted as entries for the 2023 Hands Up Project international poetry competition and read by a panel of judges composed of artists, playwrights and leading figures in the world of ELT. They are presented here in the form in which they were originally received, with a foreword by Alice Oswald, Professor of Poetry at Oxford University.

Mornings in Jenin is a devastating novel of love and loss, war and oppression, and heartbreak and hope, spanning five countries and four generations of one of the most intractable conflicts of our lifetime. Palestine, 1948. Half a million Palestinians are forced from their homes. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin and exiled from the ancient village that is their lifeblood, the family struggles to rebuild their world. Their stories unfold through the eyes of the youngest sibling, Amal, the daughter born in the camp who will eventually find herself alone in the United States; the eldest son who loses everything in the struggle for freedom; the stolen son who grows up as an Israeli, becoming an enemy soldier to his own brother.

Acclaimed worldwide as the definitive biography of the Prophet in the English language. Martin Lings' life of Muhammad is unlike any other. Based on Arabic sources of the eighth and ninth centuries, of which some important passages are translated here for the first time, it owes the freshness and directness of its approach to the words of men and women who heard Muhammad speak and witnessed the events of his life. Martin Lings has an unusual gift for narrative. He has adopted a style which is at once extremely readable and reflects both the simplicity and grandeur of the story. The result is a book which will be read with equal enjoyment by those already familiar with Muhammad's life and those coming to it for the first time. This book was given an award by the government of Pakistan, and selected as the best biography of the Prophet in English at the National Seerat Conference in Islamabad in 1983. In 1990, after the book had attracted the attention of Azhar University, the author received a decoration from president Mubarak. Martin Lings, formerly Keeper of Oriental Manuscript in the British Museum and the British Library, is the author of three works on Islamic mysticism, A Sufi Saint of the Twentieth Century, What is Sufism? and The Book of Certainty, all published by The Islamic Texts Society.

From the first time he was stopped and searched as a child, to the day he realised his mum was white, to his first encounters with racist teachers – race and class have shaped Akala’s life and outlook. In this unique book he takes his own experiences and widens them out to look at the social, historical and political factors that have left us where we are today. Covering everything from the police, education and identity to politics, sexual objectification and the far right, Nativesspeaks directly to British denial and squeamishness when it comes to confronting issues of race and class that are at the heart of the legacy of Britain’s racialised empire.

'Explores the historical ambiguities and racial complexities of 1920s Paris and describes the short-lived craze that overtook the city when black culture became highly fashionable and a sign of being modern.' 

Travelog, social commentary, and journey to self-discovery, the story of a black Englishman's amazing trek through Dixie to connect with his racial identity In 1997 Gary Younge explored the American South by retracing the route of the original Freedom Riders of the 1960s. His road trip was a remarkable socio-cultural adventure for an outsider. He was British, journalistically curious, and black. As he traveled by Greyhound bus through the former Confederate states, he experienced an awakening. He felt culturally tied to this strange yet familiar place. Though a Briton by birth and the child of emigrants from Barbados, he felt culturally alien in his native land. In Dixie, however, he met African Americans whose racial distinctiveness was similar to his own. To local blacks he looked like a brother, while sounding intriguingly foreign. As he assessed their political rise in the South, he noted too how African American tradition seemed static and unchanged. It was a refreshing whiff of "home." 

Notes Made While Falling is both a genre-bending memoir and a cultural study of traumatized and sickened selves in fiction and film. It offers a fresh, visceral, and idiosyncratic perspective on creativity, spirituality, illness, and the limits of fiction itself. At its heart is a story of a disastrously traumatic childbirth, its long aftermath, and the out-of-time roots of both trauma and creativity in an extraordinary childhood. Moving from fairgrounds to Agatha Christie, from literary festivals to neuroscience and the Bible, from Chernobyl to King Lear, Ashworth takes us on a fantastic journey through familiar landscapes transformed through unexpected encounters and comic combinations. The everyday provides the ground for the macabre and the absurd, as the narration twists and stretches time. Hovering on the edge of madness, writing, it seems, might keep us sane-or might just allow us to keep on living. In Notes Made While Falling, Ashworth calls for a redefinition of the creative work of thinking, writing, teaching, and being, and she underlines the necessity of a fearlessly compassionate and empathic attention to vulnerability and fragility.

Since its appearance in Zuccotti Park, New York, in September 2011, the Occupy movement has spread to hundreds of towns and cities across the world. No longer occupying small tent camps, the movement now occupies the global conscience as its messages spread from street protests to op-ed pages to the highest seats of power. From the movement's onset, Noam Chomsky has supported its critique of corporate corruption and encouraged its efforts to increase civic participation, economic equality, democracy and freedom. Through talks and conversations with movement supporters, Occupy presents Chomsky's latest thinking on the central issues, questions and demands that are driving ordinary people to protest. How did we get to this point? How are the wealthiest 1% influencing the lives of the other 99%? How can we separate money from politics? What would a genuinely democratic election look like? How can we redefine basic concepts like 'growth' to increase equality and quality of life for all?

Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organisers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia's Brood span genres - sci-fi, fantasy, horror, magical realism - but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas.