Magma 87, Islands, edited by Niall Campbell, Fiona Moore, and Safiya Kamaria Kinshasa Each new Magma theme raises the question: how will people write it, how will they startle and delight us? This time we were set on capturing something of the variety and scope that the theme of Islands offered. We hoped to invert majority notions of centre and periphery. We wanted the wild and windswept. At the same time we looked for poems that subverted, ignored or went beyond island clichés, far from the island gift shop cards with yearningly beautiful images.

Corita Kent (1918–1986) lived a remarkable life as an artist, educator, nun, and activist. Unapologetically holding true to herself and her beliefs, Corita spread a powerful message of love, hope, and justice with her work, as it evolved from figurative and religious art, to serigraphs incorporating the sacred and the ordinary, to a sparser, more introspective style. This timely story will draw readers into the life of a singular woman whose work and commitment invite us all to seek joy in the everyday, to observe the world with open eyes, and to question and see beyond the existing frameworks of society. Thoughtfully written by Matthew Burgess and vibrantly illustrated by Kara Kramer, this beautiful biography, made in close collaboration with the Corita Art Center, includes reproductions of Corita’s works, a chronology, and author and illustrator notes.

Contains the speech of Malala Yousafzai, the youngest person to be awarded the Nobel Peace Prize, in which she tells her story of surviving an attack by the Taliban for defending girls’ rights to education and how she continues to fight for these rights today. 

'A biography of the Black Muslim who became a leader of a movement to unite black people throughout the world.'

Something gleeful and malevolent is moving in Lia’s body, learning her life from the inside out. A shape-shifter. A disaster tourist. It’s travelling down the banks of her canals. It’s spreading. When a sudden diagnosis upends Lia’s world, the boundaries between her past and her present begin to collapse. Deeply buried secrets stir awake. As the voice prowling in Lia takes hold of her story, and the landscape around becomes indistinguishable from the one within, Lia and her family are faced with some of the hardest questions of all: how can we move on from the events that have shaped us, when our bodies harbour everything? And what does it mean to die with grace, when you’re simply not ready to let go? Maps of Our Spectacular Bodies is a story of coming-of-age at the end of a life. Utterly heart-breaking yet darkly funny, Maddie Mortimer’s astonishing debut is a symphonic journey through one woman’s body: a wild and lyrical celebration of desire, forgiveness, and the darkness within us all.

Marcus Garvey is one of the great figures of the 20th century. He proved by his life's work the potency of the racial factor in contemporary politics. With little aid from the geneticists, sociologists, anthropoligists or historians Garvey asserted the principle of racial equality, especially of Negro and African equality while claiming due respect for the African past. 

What is masculinity? Dominating the world around us, from Trump's twitter outbursts to deadly gun violence, from male suicide rates to incels on Reddit and 4chan, masculinity is perceived to be 'toxic', 'fragile' and 'in crisis'. In Mask Off, JJ Bola exposes masculinity as a performance that men are socially conditioned into. Using examples of non-Western cultural traditions, music and sport, he shines light on historical narratives around manhood, debunking popular myths along the way. He explores how LGBTQ men, men of colour, and male refugees experience masculinity in diverse ways, revealing its fluidity, how it's strengthened and weakened by different political contexts, such as the patriarchy or the far-right, and perceived differently by those around them. At the heart of love and sex, the political stage, competitive sports, gang culture, and mental health issues, lies masculinity: Mask Off is an urgent call to unravel masculinity and redefine it.

In the past five years Israel has mounted three major assaults on the 1.8 million Palestinians trapped behind its blockade of the Gaza Strip. Taken together, Operation Cast Lead (2008-9), Operation Pillar of Defense (2012), and Operation Protective Edge (2014), have resulted in the deaths of some 3,700 Palestinians. Meanwhile, a total of 90 Israelis were killed in the invasions.

On the face of it, this succession of vastly disproportionate attacks has often seemed frenzied and pathological. Senior Israeli politicians have not discouraged such perceptions, indeed they have actively encouraged them. After the 2008-9 assault Israel’s then-foreign minister, Tzipi Livni, boasted, “Israel demonstrated real hooliganism during the course of the recent operation, which I demanded.”

However, as Norman G. Finkelstein sets out in this concise, paradigm-shifting new book, a closer examination of Israel’s motives reveals a state whose repeated recourse to savage war is far from irrational. Rather, Israel’s attacks have been designed to sabotage the possibility of a compromise peace with the Palestinians, even on terms that are favorable to it.

Looking also at machinations around the 2009 UN sponsored Goldstone report and Turkey’s forlorn attempt to seek redress in the UN for the killing of its citizens in the 2010 attack on the Gaza freedom flotilla, Finkelstein documents how Israel has repeatedly eluded accountability for what are now widely recognized as war crimes.

Further, he shows that, though neither side can claim clear victory in these conflicts, the ensuing stalemate remains much more tolerable for Israelis than for the beleaguered citizens of Gaza. A strategy of mass non-violent protest might, he contends, hold more promise for a Palestinian victory than military resistance, however brave.

Migrants is a book designed to provide an easy-to-understand explanation for all the doubts kids might have when they hear about the ‘migrant crisis’ on the news. Humanity was nomadic for 99% of its existence. Sedentary life, national borders and the creation of identity documents for increasingly stricter population control are comparatively recent phenomena, and paradoxical given that the world is becoming ever more globalized. The recent emergence of populist movements in the West that are focused on closing borders and rejecting others raises serious questions about our sense of fraternity, especially when we could be facing ever larger migration movements due to the climate crisis. This book concisely explains what migration is, its causes and consequences, and the humanistic and legal aspects regarding it in the simplest, most objective ways possible, so that children have all the information they need to understand the world around them. AGES: 8 plus

All the poems in this collection were written and illustrated by children aged 9 to 15 from Palestine, Argentina, India and Spain. They were submitted as entries for the 2023 Hands Up Project international poetry competition and read by a panel of judges composed of artists, playwrights and leading figures in the world of ELT. They are presented here in the form in which they were originally received, with a foreword by Alice Oswald, Professor of Poetry at Oxford University.